History's Best Selling Music of 1996

Make way for the hits of 1996! This remarkable era stood as a testament to the grunge & golden-era pop craze and the march of first-rate music. Crowd-pleasers such as Evil Empire shared the spotlight with mega-bestsellers Crash and Odelay. Brought to you by top-notch makers from industry leaders like Rage Against The Machine and Dave Matthews Band, these trailblazing products flew off store shelves and cemented lifelong fandoms and earned a permanent place in cultural lore. Check out the complete rank-ordered ledger below to relive the finest releases of the year.

1. Evil Empire

   Released in 1996 by Rage Against The Machine, Epic Records

   On April 16, 1996, four years after their explosive self-titled debut, Rage Against The Machine unleashed "Evil Empire" upon the world. The musical landscape had shifted, with grunge's heyday fading and alternative rock diversifying. Fans and critics eagerly awaited the follow-up, questioning if the band could recapture the raw, focused fury of their first album. The release of "Evil Empire" answered with a resounding yes, debuting at number one on the Billboard 200 chart. This date marks the moment the band proved their initial success was no fluke, cementing their status as one of the most vital and commercially potent political bands of the 1990s, delivering a powerful new manifesto for a generation grappling with corporate and political disillusionment.

2. Crash

   Released in 1996 by Dave Matthews Band, RCA Records

   On April 30, 1996, the Dave Matthews Band, already a formidable live act with a dedicated grassroots following, released their sophomore studio album, "Crash." This release marked a pivotal moment, catapulting the band from a college-jam-band phenomenon into mainstream rock superstardom. The album arrived at a time when alternative rock was diversifying, and DMB's unique fusion of rock, jazz, folk, and world music found a massive audience. "Crash" captured the energy of their live shows while presenting a more polished, radio-friendly sound, perfectly timed to dominate the airwaves and record stores of the mid-1990s, solidifying their place as one of the decade's most important bands.

3. Odelay

   Released in 1996 by Beck, The Dust Brothers, DGC Records

   On June 18, 1996, the alternative music landscape was irrevocably altered with the release of Beck's fifth studio album, "Odelay." Coming off the surprise success of his slacker anthem "Loser," many wondered if Beck Hansen was destined to be a one-hit wonder. "Odelay" silenced all doubters, delivering a kaleidoscopic masterpiece of genre-bending creativity. The album was a sonic collage, expertly weaving together elements of hip-hop, folk, country, rock, soul, and electronica into a cohesive and wildly inventive whole. Its release marked a pivotal moment in 90s music, cementing Beck's status as a formidable and innovative artist and defining a new era of sample-heavy, postmodern pop.

4. Tidal

   Released in 1996 by Fiona Apple, Work Group, Columbia Records

   On July 23, 1996, the music world was introduced to a formidable new talent with the release of Fiona Apple's debut album, "Tidal." Arriving when alternative rock was dominating the airwaves, Apple's sound was a stark, sophisticated departure. At just 18 years old, she delivered a work of stunning maturity, blending elements of jazz, blues, and classical piano with the raw emotional intensity of rock. The album immediately set her apart from her contemporaries, showcasing a precocious artist with a singular voice and a poetic depth far beyond her years, marking a pivotal moment in the landscape of 1990s music.

5. Sublime

   Released in 1996 by Sublime, MCA Records

   On July 30, 1996, the landscape of alternative rock was forever changed with the release of Sublime's self-titled third album. The album arrived under tragic circumstances, just two months after the fatal overdose of frontman and creative force Bradley Nowell. This release transformed Sublime from a popular Southern California party band into a national phenomenon. It served as both a debut on a major label (MCA) and a final testament to Nowell's genre-blending genius, making its release a poignant and pivotal moment in 90s music history. The album's success was posthumous, turning what should have been a triumphant breakthrough into a bittersweet elegy for a talent gone too soon.

6. Becoming X

   Released in 1996 by Kelli Ali, Chris Corner, Liam Howe, Clean Up Records, Virgin Records

   Released on August 19, 1996, "Becoming X" arrived at the zenith of the trip-hop movement, marking the UK debut of the English electronic group Sneaker Pimps. The mid-90s were a fertile ground for music that blended hip-hop beats with atmospheric textures, pioneered by artists like Massive Attack and Portishead. Sneaker Pimps carved their own niche within this scene, offering a sound that was both darker and more pop-accessible, perfectly timed to capture the zeitgeist of a generation exploring new electronic soundscapes. The album's release positioned the band as a key player in the burgeoning genre, setting the stage for their international breakout.

7. Coming Up

   Released in 1996 by Suede, Nude Records

   On September 2, 1996, the landscape of British rock music was revitalized with the release of Suede's third album, "Coming Up." Arriving at the peak of the Britpop movement, the album marked a crucial turning point for the band. Following the darker, more complex sound of their previous album "Dog Man Star" and the departure of co-songwriter and guitarist Bernard Butler, Suede was at a crossroads. "Coming Up" was a triumphant, glamorous, and defiant return, showcasing a new lineup with Richard Oakes on guitar and Neil Codling on keyboards. Its release on this date was a statement of intent, re-establishing the band not just as survivors, but as chart-topping superstars who could craft concise, glittering pop anthems.

8. Written in the Sand

   Released in 1996 by Michael Schenker Group, SPV/Steamhammer

   Released on December 13, 1996, "Written in the Sand" represented a powerful statement from the Michael Schenker Group (MSG) during a decade dominated by alternative rock. The album marked the return of powerful vocalist Leif Sundin and showcased a re-energized lineup ready to carry the torch of classic hard rock. For fans of legendary guitarist Michael Schenker, this release was a significant event, proving his creative wellspring was far from dry and that his signature 'Flying V' guitar could still produce blistering, melodic, and technically brilliant rock anthems that stood apart from the musical trends of the time.